Photo Polymer Gravure Prints

From a photo shot in the East Bay in 2016, at the Black Diamond Mines Regional Park, I created a polymer plate in a recent course taken at Kala Art Institute in Berkeley, taught by Kazuko Watanabe.  I then used that one image to create a number of prints on Fine Art Paper (Arches and Fabriano).   Most of my efforts used the process of Chine Colle (adhering pre printed Kozo and other Japanese papers with Nori paste, by placing them on top of an inked plate, then adding damp paper and running it all through a press)  In all of the images above, except for the final image, I've digitally added a mat board.

Top to Bottom

1.  Chine Colle using a semi sheer colored Kozo paper print with added clouds

2.  A roll up on the plate of various degrees of transparent inks

3.  A simple black ink print

4.  Chine Colle using a colored paper print with an original pattern design

5.  Chine Colle adding a grid and Crane drawing

6.  Chine Colle adding a drawing of a man done on a Costa Rica vacation years ago

7.  Cine Colle adding color, clouds and a small bird

8.  Chine Colle adding a fractal design, and a drawing of a bird done in Ibiza

9.  Chine Colle adding color, clouds and two drawings of flying crows

10.  A mono print using two colored oil based inks painted directly onto the inked plate

11.  Chine Colle of transparent color and new clouds on very soft, deluxe Fabriano Paper

Strange Journey Monoprints - Second KALA class results are in!

Top:  Offset print of the 2nd printing of my etched flower, without the concrete truck or stars (ie printed off of the original print)
Middle:  The Ghost print of the top image (ie 2nd print from the original plate)
Bottom:  Original 1st printing of my etched flower with stars (one fell off) and concrete truck.  Part of my in process 'Strange Journey' series of mixed media images.

Recent Crow Woodcut Prints

Above are three of eight recent prints (EV or Edition Verite - meaning I used the same 9x12 woodblock for all 8 prints but experimented with a different technique when printing each one). These were done in a recent woodblock cutting class at Kala Art Institute in Berkeley.  Top two prints are examples of Chine Colle, using different Japanese kozo papers.  Prints are 11" x 15." Prints 4/8, 7/8 and 8/8 are variations on the black ink theme (as in 3/8 above).   Print 5/8 is another version of Chine Colle, seen above in print 2/8, and print 6/8 was given to my very knowledgeable Kala teacher Claire Kessler-Bradner.  There is no intentional symbolism related to the 7 circles behind the Crow, although I could make something up if provoked.