Art is the Best Therapy - New Prints

Prints from the San Anselmo Printmakers 3rd press run.  Top to Bottom:
1.  Strange Journey #1 collagraph
2.  Crane ghost monotype with ink and gouache
3.  Blackbird ghost monotype with ink and gouache
4.  Surfer monotype with gouache and watercolor
5.  Blackbird in Marin monotype chine colle with gouache
6.  Crane in Carmel monotype chine colle with pastel and gouache

Blue-Crowned Motmot Monotype

Best unadulterated print of mine, made during the 2nd San Anselmo Printmakers artwork day, was this blue-crowned motmot chine colle monotype.   The process included an Adobe Illustrator B&W drawing, of a motmot bird collaged into a photograph of ginger, taken in Maui, then printed on Kozo paper, then glued to 100% cotton rives bfk paper, then monoprinted with akua inks and liquid pigments using a polycarbonate plate.

Elsa At Goleta Beach, 1960 - Three Monotypes

Taking my Lindstrom Machinery etching press on its first run, our San Anselmo printmaking group got together to do some initial experiments with Akua intaglio inks and liquid pigments, making monotypes with polycarbonate .030 and PETG plates printing onto dry Rives BFK 100% cotton French mouldmade paper. Doing drypoint on the plastic plates didn't seem to result in strong enough line work, so I hand inked later. Damp paper would probably have worked better.  The Akua liquid pigments also didn't work as well as desired either, so the prints were finished with pastels, which worked beautifully.  More experimentation to come!